Catherine WheelChrome

Label:

Fontana – UMCLP044, Universal Music Recordings – UMCLP044

Format:

Vinyl, LP, Album, Reissue

Country:

UK & Europe

Released:

Genre:

Rock

Style:

Alternative Rock, Indie Rock

Tracklist

A1Kill Rhythm
A2I Confess
A3Crank
A4Broken Head
A5Pain
A6Strange Fruit
B1Chrome
B2The Nude
B3Ursa Major Space Station
B4Fripp
B5Half Life
B6Show Me Mary

Companies, etc.

  • Phonographic Copyright ℗Phonogram Ltd. (London)
  • Copyright ©Phonogram Ltd. (London)
  • Recorded AtBritannia Row Studios
  • Mixed AtBritannia Row Studios
  • Produced AtBarnyard Studios
  • Published ByWarner Chappell Music Ltd.
  • Mastered AtThe Town House

Credits

  • BassDave Hawes
  • Cello, Arranged By [Strings]Audrey Riley
  • Composed ByBarry Maguire (tracks: A5), Catherine Wheel
  • DesignKeith Breeden, Peter Curzon, Storm Thorgerson
  • EngineerJohn Lee (2)
  • Engineer [Assistant]Adi Winman
  • Guitar, VocalsBrian Futter
  • Organ [Hammond]Tim Friese-Greene
  • PercussionNeil Sims
  • Photography ByRupert Truman, Tony May (4)
  • Photography By [Assistant]Chloe Mason
  • ProducerGil Norton
  • Vocals, GuitarRob Dickinson

Barcode and Other Identifiers

  • Barcode: 0805520240444
  • Matrix / Runout (Side A): 010826992-A-1
  • Matrix / Runout (Side B): 010826992-B-1
  • Matrix / Runout (Side A, etched): 010826992-A-2
  • Matrix / Runout (Side B, etched): 010826992-B-2

Other Versions (5 of 28)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Chrome (CD, Album)Fontana518 039-2Germany1993
Recently Edited
Chrome (CD, Album)Fontana, Mercury314 518 039-2US1993
Recently Edited
Chrome (LP, Album)Fontana518 039-1UK & Europe1993
New Submission
Chrome (CD, Album, Limited Edition, Embossed Silver Digipak)Fontana314 518 039-2US1993
New Submission
Chrome (Cassette, Album)Fontana, Fontana518 039-4, 518039-4UK & Europe1993

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Reviews

  • pooly1000's avatar
    pooly1000
    Of course a lot depends on the system you're using. I'm running mid range, but to me this isn't a particularly good press. Seems flat and murky in the mids, lacking dynamics. But then the original source could be the same. Would be interested to hear the MOV.
    • PG2016's avatar
      PG2016
      To my untrained ear, the MOV pressing sounds a little better than this. It's quieter, but I like the balance a bit more. This one is louder, althought you can definitely feel how "meatier" it is. It does sound a little bit more canned than the MOV pressing, but not too much. Overall, I'm happy with this. My MOV pressing had a defect on side two, so I'm glad I have a fully working copy of this classic album. Catherine Wheel is one of my favorite bands and I love most of the songs on this.
      • dagerman's avatar
        dagerman
        Edited 5 months ago
        Very glad there is a readily available pressing of this on the market, but good grief is this bright. A 90s record, so likely baked in, and the CD never sounded great, but this is shrill for sure. Not sure where one reviewer got "meatier" from, not something I experience. Not bad - just toppy.
        • gsheputis's avatar
          gsheputis
          Edited one year ago
          Just compared the MOV and this, and I'll take this hands down - loudness level is a tad lower, but it's way MEATIER and more balanced overall, the low end being more pronounced and the mids more defined and the soundstage, depth and air are as good as it gets - fantastic reissue !!!!
          • alternapop's avatar
            alternapop
            Edited one year ago
            I've tried 3 different copies of this (from 2 different vendors), and 1 of the new reissue of Ferment, and all 4 have little scribble looking scratches on them. 2 copies of Chrome had them in the same place, at the end of Crank (A3) and well into Broken Head (A4). Terrible quality control from the plant on these as it appears many have the same problem.

            I was sent replacements from the label, possibly from a later batch, that are scratch free. I'd love to know what the hell happened but am glad to have these scratch free reissues. They will probably be my go to copies because I don't want to risk damaging the originals.
            • thepicker's avatar
              thepicker
              I don't care what the source is, or any of that stuff... all I care about is having this masterpiece on vinyl, and that it both sounds GREAT, and was not overly expensive. Best I have heard this album ... and I can say it sounds way better to my ears than the CD ever did.
              • barole's avatar
                barole
                I've ordered two from Amazon and both have quite a few pops and crackles even after cleaning. Other than that, it sounds pretty good. Not sure if I should try for a 3rd.
                • pithecus's avatar
                  pithecus
                  Crackling and ticks caused by tiny scratches that you can see under light.
                  I am so fed up with new vinyl having these! Feel ripped off paying $40 for a single LP with flaws. Not looking forward to getting Ferment in the mail.
                  • oneflashoflight's avatar
                    The MOVs were sourced from CD. These reissues sourced from the original masters. End of sonic debate.
                    • UrBoyBangs's avatar
                      UrBoyBangs
                      Just opened my copy direct from Proper and had some pretty bad manufacturer scratches.

                      Release

                      For sale on Discogs

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