My Bloody ValentineIsn't Anything

Label:

MBV Records – mbv 02

Format:

Vinyl, LP, Album, Reissue, Remastered, 180g

Country:

UK

Released:

Genre:

Rock

Style:

Shoegaze, Indie Rock

Tracklist

A1Soft As Snow (But Warm Inside)
Music ByK. Shields*
Words ByC. Ó Cíosóig*, K. Shields*
A2Lose My Breath
Music ByK. Shields*
Words ByB. Butcher*
A3Cupid Come
Music ByK. Shields*
Words ByB. Butcher*
A4(When You Wake) You're Still In A Dream
Music ByK. Shields*
Words ByC. Ó Cíosóig*
A5No More Sorry
Music ByK. Shields*
Words ByB. Butcher*
A6All I Need
Words By, Music ByK. Shields*
B1Feed Me With Your Kiss
Words By, Music ByK. Shields*
B2Sueisfine
Music ByC. Ó Cíosóig*, K. Shields*
Words ByK. Shields*
B3Several Girls Galore
Music ByK. Shields*
Words ByB. Butcher*
B4You Never Should
Words By, Music ByK. Shields*
B5Nothing Much To Lose
Words By, Music ByK. Shields*
B6I Can See It (But I Can't Feel It)
Words By, Music ByK. Shields*

Companies, etc.

  • Phonographic Copyright ℗MBV Records
  • Copyright ©MBV Records
  • Pressed ByOptimal Media GmbH – BH82121
  • Recorded AtFoel Studio
  • Recorded AtTime Square Studios
  • Recorded AtThe Greenhouse

Credits

  • Artwork [Additional Artwork], LayoutSeán O' Reilly
  • BassDeb Googe
  • DrumsColm O'Ciosoig
  • EngineerAlex Russell (2), Dave Anderson (3), Steve Nunn
  • Guitar, VocalsBilinda Butcher, Kevin Shields
  • Photography ByJoe Dilworth
  • ProducerMy Bloody Valentine
  • Reissue ProducerKevin Shields

Notes

Recorded at Foel Studios, Time Square Studios and The Greenhouse.

℗ & © 2017 mbv records
Made in the EU

Mastered from original ¼" analog tapes using Studer A80 VU-PRE and Neumann VMS 80 lathe.
Comes in a heavy weight tip-on style gatefold sleeve with poly lined printed inner sleeve.

Some copies pre-ordered from My Bloody Valentine's official website came packaged with an additional version of the LP with a different vinyl cut by Sean Magee. His vinyl cut was ultimately rejected and can be found as a separate submission here: Isn't Anything

Barcode and Other Identifiers

  • Matrix / Runout (Side A [etched]): MBV02-17-A-1 BH82121-01 A₁
  • Matrix / Runout (Side B [etched]): MBV02-17-B-1 BH82121-01 B₁ =⩘

Other Versions (5 of 85)

View All
Title (Format)LabelCat#CountryYear
Isn't Anything (LP, Album, Adrenalin Pressing)Creation Records, Creation RecordsCRELP 040, CRELP 040.UK1988
Recently Edited
Isn't Anything (CD, Album)Relativity, Creation Records88561-1006-2US1988
Recently Edited
Isn't Anything (LP, Album)Rough Trade, Creation RecordsRTD/CRE 16-95Germany1988
Recently Edited
Isn't Anything (Cassette, Album)Mercury, Creation Records836 107-4Canada1988
Recently Edited
Isn't Anything (CD, Album)Creation RecordsCRELP 040 CDUK1988

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Reviews

  • Talkinfun's avatar
    Talkinfun
    Edited 11 months ago
    Important info on My Bloody Valentine pressings:

    If ever there was a band where it truly mattered how the music is transmitted to your ears and on your body e.g. [the source - which vinyl pressing, what kind of digital stream, tape vs cd vs vinyl-, equipment (record player, cd player - mediocre or great digital to analog conversion - ], that band is My Bloody Valentine. You will have such a different experience if you get an original CD vs. a remastered CD or the original vinyl pressing vs the Fully Analog pressing.

    This album can seem harsh and ear fatiguing unless you get the fully analog pressings starting in 2018. It is a different animal. Or get the digital remaster in 2012. They did all kinds of things Shields didn't understand when Creation put this out in 1988. And it wasn't corrected until he remastered it for CD and especially vinyl.

    Here's what Shields said in 2004 about the orignal mastering in 1988: "I never liked how mastering engineers would add treble and compression and totally fuck up the sound. It would bring out the cymbals and make the guitars sit way back where they shouldn’t be. “Isn’t Anything” was originally mastered very quickly. I think it was done in a couple of hours. Way faster than a normal album. For some reason we put a De-Esser on the whole thing. Apparently there was some fundamental spike occurring on the vocals and stuff. So because the whole album went through that circuit, I’ve often wondered what it would sound like if it hadn’t."

    Well we now know what a huge difference it made. I think the fully analog vinyl from 2018 and 2021 sounds so amazing and is not harsh or ear fatiguing. And then my next choice would be the remastered CD from 2012.

    He puts so much thought and time into the recording. If you really want to hear what was intended then get the remastered vinyl. (I haven't given a good listen to the digital vinyl remaster from 2021 so I can't compare that.) But my copy on vinyl from 2018 sounds amazing, revelatory on vinyl. And I've been listening to this abum since 1988.

    It all just flows betters and the harshness is gone. I really feel the fully analog vinyl versions from 2018 and 2021 will give you a different experience than the previous pressings. And the same should be said for Loveless. He put so much time and effort into these remastered fully-analog vinyl. These reflect his original intention on record. And they are both a revelation. Now if he would just tackle the four Creation EPs and make fully-analog vinyl remasters the world can be at peace.

    Actually, he's actually too busy for that working on the other new albums he promised He went so far as to say in one interview there would be a double album, a regular length album and several EPs. I think he's going to shock the world with all the music he'll release and then there will be a world tour. In the next 1-3 years I'm willing to bet IT WILL HAPPEN. He's not going to wait until he's 70.

    I really think he will surprise everyone with a lot music.
    • Andy.Sargeant's avatar
      Andy.Sargeant
      Edited 4 years ago
      well, some user reports on 2021 reissue (non-fill noise especially on side A), I guess that the value of this 2018 reissue will be still valid. :(
      • kevinb1972's avatar
        kevinb1972
        I’m always a bit sceptical of these ‘audiophile quality ‘ pressings, they are for people who stroke their chins and talk about different types of cartridge.
        But wow , this pressing!
        Ok, it’s my favourite album of all time, so I know it inside out, and I bought this mainly because It has a gatefold sleeve.
        But it truly is amazing - I can’t pinpoint what it is, but I think the vocals are slightly higher than the original. It’s just perfect. Well worth buying.
        • macmania22's avatar
          macmania22
          Got my first ever noise complaint because of this record. 10/10 sounds great
          • expectdelay's avatar
            expectdelay
            This record is brilliant and this pressing is beautiful. No noise on mine, other than then intended noises ;)
            • IndexAske's avatar
              IndexAske
              I can't believe this edition is going to end up being the rarest one since is it's not only the first pressing of the reissue, but it's the only edition that will ever have the "original reissue cut", since apparently the new issues of the reissue come with the Sean Magee cut. I'm glad I got this one right off the bat.
              • Wrigglesby's avatar
                Wrigglesby
                just listened this after ordering direct from mbv records.. shocked at amount of surface noise. same with loveless. tried cleaning but noise persisted. have contacted them and awaiting response.
                • snijtand's avatar
                  snijtand
                  OK, who bought this for USD 242.63?? Does it sound better when you pay 10x the actual price? smh...
                  • david_carter1969's avatar
                    Great album but it was filthy, as others have said if you don't give it a thorough clean then you will get pops and crackles galore.
                    • daviduu's avatar
                      daviduu
                      I'm also going to chime in and say my copy is really great. I clean every record I get (new or used) with a Squeaky Clean RCM using The Disc Doctor's Quick Wash Record Cleaner. A dirty record is always going to sound noisy.

                      Overall very clean and sounds great. Getting a bit of noise near the beginning of "Nothing Much to Lose," but nothing that would turn me off from the pressing. Aside from the record itself, the album jacket is top notch. I always appreciate a good tip-on jacket, and glossy is always nice to see!

                      Haven't listened to the bonus record yet, but I'm excited to compare the two.

                      Release

                      For sale on Discogs

                      Sell a copy

                      18 copies from $39.47

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                      • Median:$50.00
                      • High:$250.00

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